Because We Were Born

Directed by Jean-Pierre Duret and Andrea Santana

Produced by Jamel Debbouze and Muriel Meynard

Because We Were Born is nominated for:

  • Spotlight Award  Jean-Pierre Duret and Andrea Santana, Directors
Because We Were Born
Fourteen-year-old Nego and fifteen-year-old Cocada meet every day at a petrol station near their favela in Pernambuco where they try to make a little money to support themselves and their families.
Cocada, whose father was assassinated, dreams of becoming a truck driver while he washes the windows of cars, grazes pigs at a waste dump or makes bricks. Nego lives from hand to mouth with his mother and nine siblings, which is why he helps them eke out a living. Besides begging from long-distance buses, he also does temporary work as an errand boy and this doesn’t leave him much time for school.
The world of these two boys, who are old before their time, has little in common with how the people they exchange a few words with now and then at the petrol station would imagine childhood to be. Both of them believe, however, that they will be able to fulfill their dreams. One boy’s dream is a driving license and the cab of a truck while the other wants his own house made from corn husks.
The two directors of this film gently introduce us to the world of both boys, whose everyday lives we seem to observe without being seen.
The captivating camerawork and narration reminiscent of a feature film have helped this picture make its mark at several film festivals worldwide. (Camden)

becausewewereborn

Fourteen-year-old Nego and fifteen-year-old Cocada meet every day at a petrol station near their favela in Pernambuco where they try to make a little money to support themselves and their families.

Cocada, whose father was assassinated, dreams of becoming a truck driver while he washes the windows of cars, grazes pigs at a waste dump or makes bricks. Nego lives from hand to mouth with his mother and nine siblings, which is why he helps them eke out a living. Besides begging from long-distance buses, he also does temporary work as an errand boy and this doesn’t leave him much time for school.

The world of these two boys, who are old before their time, has little in common with how the people they exchange a few words with now and then at the petrol station would imagine childhood to be. Both of them believe, however, that they will be able to fulfill their dreams. One boy’s dream is a driving license and the cab of a truck while the other wants his own house made from corn husks.

The two directors of this film gently introduce us to the world of both boys, whose everyday lives we seem to observe without being seen.

The captivating camerawork and narration reminiscent of a feature film have helped this picture make its mark at several film festivals worldwide.

(Camden)

Cinema Eye Honors

The Cinema Eye Honors for Nonfiction Filmmaking recognize and honor exemplary craft and innovation in nonfiction film. Cinema Eye’s mission is to advocate for, recognize and promote the highest commitment to rigor and artistry in the nonfiction field.


Cinema Eye Honors Ceremony

Will be held January 15th 2010, at The Times Center, New York City.